{"id":897,"date":"2017-03-01T00:01:55","date_gmt":"2017-02-28T23:01:55","guid":{"rendered":"http:\/\/karla-sachse.de\/wordpress\/?page_id=897"},"modified":"2017-11-23T11:30:35","modified_gmt":"2017-11-23T10:30:35","slug":"die-welt-ist-auf-den-punkt-gebracht","status":"publish","type":"page","link":"https:\/\/karla-sachse.de\/en\/kollaborationen-2\/die-welt-ist-auf-den-punkt-gebracht\/","title":{"rendered":"[:de]Die Welt ist auf den Punkt gebracht[:en]The world is taken to the point[:]"},"content":{"rendered":"[:de]\"\"
\nVon links nach rechts und von oben nach unten: Marcello Diotallevi I, Aimee Lhote F, Horst Hahn D, K.O. USA, Geza Pernetzki H, Joachim Richau D, Clemente Padin U, Sanjot Kaur Sekhon AUS, Ottfried Zielke D, Kees Francke NL, Volker Hamann D, Corp\u00e1 E, Reiko Kammer D, Seiei Nishimura J, Dmitry Bulatov R, Varsha Nair IND, Julien Blaine F, Dagmar Heinrich CH, Constantin Flondor ROM, K.O. USA, Edith Lechtape F, Guillermo Deisler RCH, Morgan O\u2018Hara USA, C\u00e9sar Figueiredo P, Vittore Baroni I, Hans-Rudi Fricker CH, Pamela Lofts AUS, Konrad Karcher D, Mogens Otto Nielsen DK, Joseph W.Huber D, Varsha Nair IND, Ulrike Schmidt D, Karla Sachse D<\/p>\n

Der universale Punkt dehnt sich unendlich wie das digitale Netz um die Erdkugel. Da\u00df die moderne Technik vorrangig der hektischen Ballung des Kapitals dient, mu\u00df uns nicht daran hindern, ihre Kr\u00e4fte f\u00fcr ganz andere Konzentrationspunkte zu nutzen. Zweiunddrei\u00dfig POINTS OF VIEW f\u00fcr die Station der U2 suchen nicht das Exotische, das in der t\u00e4glichen Bilderflut l\u00e4ngst zerflossen ist. Sie entstanden aus Briefwechsel, aus langj\u00e4hriger Vertrautheit und Zusammenarbeit, aus intensiven Gespr\u00e4chen. Sie sollen digitalisiert, vergr\u00f6\u00dfert, vervielf\u00e4ltigt die beiden W\u00e4nde und die weitgespannte Decke der Station der U2 auf dem Alexanderplatz mit Bildern \u00fcberziehen.<\/p>\n

Konzept f\u00fcr die U-Bahn-Galerie Alexanderplatz, Berlin 1999
\n(Es konnte nur als Katalog realisiert werden.)[:en]\"\"<\/p>\n

From left to right and from top to bottom: Marcello Diotallevi I, Aimee Lhote F, Horst Hahn D, K.O. USA, Geza Pernetzki H, Joachim Richau D, Clemente Padin U, Sanjot Kaur Sekhon AUS, Ottfried Zielke D, Kees Francke NL, Volker Hamann D, Corp\u00e1 E, Reiko Kammer D, Seiei Nishimura J, Dmitry Bulatov R, Varsha Nair IND, Julien Blaine F, Dagmar Heinrich CH, Constantin Flondor ROM, K.O. USA, Edith Lechtape F, Guillermo Deisler RCH, Morgan O\u2018Hara USA, C\u00e9sar Figueiredo P, Vittore Baroni I, Hans-Rudi Fricker CH, Pamela Lofts AUS, Konrad Karcher D, Mogens Otto Nielsen DK, Joseph W.Huber D, Varsha Nair IND, Ulrike Schmidt D, Karla Sachse D<\/p>\n

The universal point expands endless like the digital web around the globe. The fact that modern technology primarily serves the hectic concentration of the capital must not prevent us from using its powers for quite different concentration points. Thirty-two POINTS OF VIEW for the subway station U2 don\u2018t search for the exotic which melted away in the daily flood of pictures. They appeared from letter exchanges, from long-standing familiarity and cooperation, from intense conversations. They are to be digitized, enlarged, duplicated and cover the two walls and the wide-span ceiling of the station with pictures.<\/p>\n

Concept for the subway gallery U2 Alexanderplatz, Berlin 1999
\n(It could be realized only as catalogue.)<\/p>\n

 [:]\n","protected":false},"excerpt":{"rendered":"

[:de] Von links nach rechts und von oben nach unten: Marcello Diotallevi I, Aimee Lhote F, Horst Hahn D, K.O. USA, Geza Pernetzki H, Joachim Richau D, Clemente Padin U, Sanjot Kaur Sekhon AUS, Ottfried Zielke D, Kees Francke NL, Volker Hamann D, Corp\u00e1 E, Reiko Kammer D, Seiei Nishimura J, Dmitry Bulatov R, Varsha […]<\/p>\n","protected":false},"author":1,"featured_media":1852,"parent":302,"menu_order":6,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-897","page","type-page","status-publish","has-post-thumbnail","hentry"],"_links":{"self":[{"href":"https:\/\/karla-sachse.de\/en\/wp-json\/wp\/v2\/pages\/897","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/karla-sachse.de\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/karla-sachse.de\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/karla-sachse.de\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/karla-sachse.de\/en\/wp-json\/wp\/v2\/comments?post=897"}],"version-history":[{"count":8,"href":"https:\/\/karla-sachse.de\/en\/wp-json\/wp\/v2\/pages\/897\/revisions"}],"predecessor-version":[{"id":1851,"href":"https:\/\/karla-sachse.de\/en\/wp-json\/wp\/v2\/pages\/897\/revisions\/1851"}],"up":[{"embeddable":true,"href":"https:\/\/karla-sachse.de\/en\/wp-json\/wp\/v2\/pages\/302"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/karla-sachse.de\/en\/wp-json\/wp\/v2\/media\/1852"}],"wp:attachment":[{"href":"https:\/\/karla-sachse.de\/en\/wp-json\/wp\/v2\/media?parent=897"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}