{"id":1496,"date":"2017-06-01T00:01:20","date_gmt":"2017-05-31T22:01:20","guid":{"rendered":"http:\/\/karla-sachse.de\/wordpress\/?page_id=1496"},"modified":"2026-09-24T20:26:22","modified_gmt":"2026-09-24T18:26:22","slug":"an-sichten","status":"publish","type":"page","link":"https:\/\/karla-sachse.de\/en\/wort-bilder\/an-sichten\/","title":{"rendered":"An-Sichten"},"content":{"rendered":"[:de]<img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-1499\" src=\"https:\/\/karla-sachse.de\/wordpress\/wp-content\/uploads\/2017\/10\/12_statement_dt-1024x927.jpg\" alt=\"\" width=\"700\" height=\"633\" srcset=\"https:\/\/karla-sachse.de\/wp-content\/uploads\/2017\/10\/12_statement_dt-1024x927.jpg 1024w, https:\/\/karla-sachse.de\/wp-content\/uploads\/2017\/10\/12_statement_dt-300x272.jpg 300w, https:\/\/karla-sachse.de\/wp-content\/uploads\/2017\/10\/12_statement_dt-768x695.jpg 768w, https:\/\/karla-sachse.de\/wp-content\/uploads\/2017\/10\/12_statement_dt.jpg 1200w\" sizes=\"auto, (max-width: 700px) 100vw, 700px\" \/><br \/>\nStatement, noch immer g\u00fcltig<\/p>\n<p>&nbsp;<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-1504 size-full\" src=\"https:\/\/karla-sachse.de\/wordpress\/wp-content\/uploads\/2017\/10\/Interview-about-Rabbits-1.jpg\" alt=\"\" width=\"700\" height=\"1557\" srcset=\"https:\/\/karla-sachse.de\/wp-content\/uploads\/2017\/10\/Interview-about-Rabbits-1.jpg 700w, https:\/\/karla-sachse.de\/wp-content\/uploads\/2017\/10\/Interview-about-Rabbits-1-135x300.jpg 135w, https:\/\/karla-sachse.de\/wp-content\/uploads\/2017\/10\/Interview-about-Rabbits-1-460x1024.jpg 460w\" sizes=\"auto, (max-width: 700px) 100vw, 700px\" \/><br \/>\nInterview mit Biljana Arandelovic f\u00fcr das Buch <em>Berlin: Art and the City, Public Art and Urban Memorials in Berlin,<br \/>\n<\/em>Edition der Sapienza Universit\u00e4t Rom I 2017<\/p>\n<p>&nbsp;<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-1502\" src=\"https:\/\/karla-sachse.de\/wordpress\/wp-content\/uploads\/2017\/10\/15_Welt-Raum_dt.jpg\" alt=\"\" width=\"470\" height=\"1160\" srcset=\"https:\/\/karla-sachse.de\/wp-content\/uploads\/2017\/10\/15_Welt-Raum_dt.jpg 486w, https:\/\/karla-sachse.de\/wp-content\/uploads\/2017\/10\/15_Welt-Raum_dt-122x300.jpg 122w, https:\/\/karla-sachse.de\/wp-content\/uploads\/2017\/10\/15_Welt-Raum_dt-415x1024.jpg 415w\" sizes=\"auto, (max-width: 470px) 100vw, 470px\" \/><br \/>\nf\u00fcr die Zeitung \u201eStadtkunst\u201c, parallel zu einem Vortrag in der Reihe \u201eKunst und Raum\u201c, Berlin 2008<\/p>\n<p>&nbsp;<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-1501 size-full\" src=\"https:\/\/karla-sachse.de\/wordpress\/wp-content\/uploads\/2017\/10\/14_Chronik.jpg\" alt=\"\" width=\"470\" height=\"1200\" srcset=\"https:\/\/karla-sachse.de\/wp-content\/uploads\/2017\/10\/14_Chronik.jpg 470w, https:\/\/karla-sachse.de\/wp-content\/uploads\/2017\/10\/14_Chronik-118x300.jpg 118w, https:\/\/karla-sachse.de\/wp-content\/uploads\/2017\/10\/14_Chronik-401x1024.jpg 401w\" sizes=\"auto, (max-width: 470px) 100vw, 470px\" \/><br \/>\nBerlin 2007: dieser Text existiert nur in englischer Sprache \u2013 eine \u00dcbersetzung w\u00e4re unertr\u00e4glich<\/p>\n<p>&nbsp;<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-1505\" src=\"https:\/\/karla-sachse.de\/wordpress\/wp-content\/uploads\/2017\/10\/Tote_Mailartisten_2005-781x1024.jpg\" alt=\"\" width=\"700\" height=\"918\" srcset=\"https:\/\/karla-sachse.de\/wp-content\/uploads\/2017\/10\/Tote_Mailartisten_2005-781x1024.jpg 781w, https:\/\/karla-sachse.de\/wp-content\/uploads\/2017\/10\/Tote_Mailartisten_2005-229x300.jpg 229w, https:\/\/karla-sachse.de\/wp-content\/uploads\/2017\/10\/Tote_Mailartisten_2005-768x1007.jpg 768w, https:\/\/karla-sachse.de\/wp-content\/uploads\/2017\/10\/Tote_Mailartisten_2005.jpg 915w\" sizes=\"auto, (max-width: 700px) 100vw, 700px\" \/><br \/>\nErinnerungsblatt an jene Mail-Artisten, die gestorben waren, Berlin 2005<\/p>\n<p>&nbsp;<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-1498\" src=\"https:\/\/karla-sachse.de\/wordpress\/wp-content\/uploads\/2017\/10\/01_Holokaust_Denkmal_95-709x1024.jpg\" alt=\"\" width=\"700\" height=\"1011\" srcset=\"https:\/\/karla-sachse.de\/wp-content\/uploads\/2017\/10\/01_Holokaust_Denkmal_95-709x1024.jpg 709w, https:\/\/karla-sachse.de\/wp-content\/uploads\/2017\/10\/01_Holokaust_Denkmal_95-208x300.jpg 208w, https:\/\/karla-sachse.de\/wp-content\/uploads\/2017\/10\/01_Holokaust_Denkmal_95-768x1109.jpg 768w, https:\/\/karla-sachse.de\/wp-content\/uploads\/2017\/10\/01_Holokaust_Denkmal_95.jpg 831w\" sizes=\"auto, (max-width: 700px) 100vw, 700px\" \/><br \/>\nDer Text wurde geschrieben nach den Jurysitzungen \u00fcber 528 Entw\u00fcrfe zu einem Holocaust-Mahnmal f\u00fcr Berlin 1995.<br \/>\n(Das Resultat wurde annuliert, ein neuer Wettbewerb mit wenigen prominenten K\u00fcnstlern ausgeschrieben.<br \/>\nDas Ergebnis ist der Vorschlag von Peter Eisenman \/ Richard Serra. Es wurde nur von Eisenman realisiert,<br \/>\nweil Serra die geforderten \u00c4nderungen nicht mittragen wollte &#8230;<br \/>\nZwei kleine Memorials f\u00fcr die ermordeten Homosexuellen sowie die Sinti und Roma mussten separat errichtet werden.)[:en]<img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-1500\" src=\"https:\/\/karla-sachse.de\/wordpress\/wp-content\/uploads\/2017\/10\/12_statement_en-1024x927.jpg\" alt=\"\" width=\"700\" height=\"633\" srcset=\"https:\/\/karla-sachse.de\/wp-content\/uploads\/2017\/10\/12_statement_en-1024x927.jpg 1024w, https:\/\/karla-sachse.de\/wp-content\/uploads\/2017\/10\/12_statement_en-300x272.jpg 300w, https:\/\/karla-sachse.de\/wp-content\/uploads\/2017\/10\/12_statement_en-768x695.jpg 768w, https:\/\/karla-sachse.de\/wp-content\/uploads\/2017\/10\/12_statement_en.jpg 1200w\" sizes=\"auto, (max-width: 700px) 100vw, 700px\" \/><br \/>\nstatement, still valid<\/p>\n<p>&nbsp;<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-1504 size-full\" src=\"https:\/\/karla-sachse.de\/wordpress\/wp-content\/uploads\/2017\/10\/Interview-about-Rabbits-1.jpg\" alt=\"\" width=\"700\" height=\"1557\" srcset=\"https:\/\/karla-sachse.de\/wp-content\/uploads\/2017\/10\/Interview-about-Rabbits-1.jpg 700w, https:\/\/karla-sachse.de\/wp-content\/uploads\/2017\/10\/Interview-about-Rabbits-1-135x300.jpg 135w, https:\/\/karla-sachse.de\/wp-content\/uploads\/2017\/10\/Interview-about-Rabbits-1-460x1024.jpg 460w\" sizes=\"auto, (max-width: 700px) 100vw, 700px\" \/><br \/>\nInterview with Biljana Arandelovic for the book <em>Berlin: Art and the City, Public Art and Urban Memorials in Berlin,<br \/>\n<\/em>Edition of the Sapienza Universit\u00e4t Rom I 2017<\/p>\n<p>&nbsp;<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-1503 size-full\" src=\"https:\/\/karla-sachse.de\/wordpress\/wp-content\/uploads\/2017\/10\/15_Welt-Raum_en.jpg\" alt=\"\" width=\"486\" height=\"1200\" srcset=\"https:\/\/karla-sachse.de\/wp-content\/uploads\/2017\/10\/15_Welt-Raum_en.jpg 486w, https:\/\/karla-sachse.de\/wp-content\/uploads\/2017\/10\/15_Welt-Raum_en-122x300.jpg 122w, https:\/\/karla-sachse.de\/wp-content\/uploads\/2017\/10\/15_Welt-Raum_en-415x1024.jpg 415w\" sizes=\"auto, (max-width: 486px) 100vw, 486px\" \/><br \/>\nfor the journal \u201eCityart\u201c parallel to a lecture in the series \u201eArt and Space\u201c, Berlin 2008<\/p>\n<p>&nbsp;<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-1501 size-full\" src=\"https:\/\/karla-sachse.de\/wordpress\/wp-content\/uploads\/2017\/10\/14_Chronik.jpg\" alt=\"\" width=\"470\" height=\"1200\" srcset=\"https:\/\/karla-sachse.de\/wp-content\/uploads\/2017\/10\/14_Chronik.jpg 470w, https:\/\/karla-sachse.de\/wp-content\/uploads\/2017\/10\/14_Chronik-118x300.jpg 118w, https:\/\/karla-sachse.de\/wp-content\/uploads\/2017\/10\/14_Chronik-401x1024.jpg 401w\" sizes=\"auto, (max-width: 470px) 100vw, 470px\" \/><br \/>\nBerlin 2007: this text exists only in Englisch \u2013 a translation would not be bearable &#8230;<\/p>\n<p>&nbsp;<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-1505\" src=\"https:\/\/karla-sachse.de\/wordpress\/wp-content\/uploads\/2017\/10\/Tote_Mailartisten_2005-781x1024.jpg\" alt=\"\" width=\"700\" height=\"918\" srcset=\"https:\/\/karla-sachse.de\/wp-content\/uploads\/2017\/10\/Tote_Mailartisten_2005-781x1024.jpg 781w, https:\/\/karla-sachse.de\/wp-content\/uploads\/2017\/10\/Tote_Mailartisten_2005-229x300.jpg 229w, https:\/\/karla-sachse.de\/wp-content\/uploads\/2017\/10\/Tote_Mailartisten_2005-768x1007.jpg 768w, https:\/\/karla-sachse.de\/wp-content\/uploads\/2017\/10\/Tote_Mailartisten_2005.jpg 915w\" sizes=\"auto, (max-width: 700px) 100vw, 700px\" \/><br \/>\nmemorial page for those mail-artist who died, Berlin 2005<\/p>\n<p>&nbsp;<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-1497\" src=\"https:\/\/karla-sachse.de\/wordpress\/wp-content\/uploads\/2017\/10\/01_Holocaust_Mem_en.jpg\" alt=\"\" width=\"700\" height=\"1094\" srcset=\"https:\/\/karla-sachse.de\/wp-content\/uploads\/2017\/10\/01_Holocaust_Mem_en.jpg 768w, https:\/\/karla-sachse.de\/wp-content\/uploads\/2017\/10\/01_Holocaust_Mem_en-192x300.jpg 192w, https:\/\/karla-sachse.de\/wp-content\/uploads\/2017\/10\/01_Holocaust_Mem_en-655x1024.jpg 655w\" sizes=\"auto, (max-width: 700px) 100vw, 700px\" \/><br \/>\nThis text was written after the jury sessions over 528 drafts to a Holocaust memorial for Berlin 1995.<br \/>\n(The result was annulled, a new competition with few prominent artists written out. The outcome is the proposal<br \/>\nof Peter Eisermann \/ Richard Serra. It was realised only by Eisermann because Serra did not want to accept the required changes &#8230;<br \/>\nTwo small memorials reminding the murdered homosexuals as well as the Sinti and Roma had to be installed separately.)[:]\n","protected":false},"excerpt":{"rendered":"<p>[:de] Statement, noch immer g\u00fcltig &nbsp; Interview mit Biljana Arandelovic f\u00fcr das Buch Berlin: Art and the City, Public Art and Urban Memorials in Berlin, Edition der Sapienza Universit\u00e4t Rom I 2017 &nbsp; f\u00fcr die Zeitung \u201eStadtkunst\u201c, parallel zu einem Vortrag in der Reihe \u201eKunst und Raum\u201c, Berlin 2008 &nbsp; Berlin 2007: dieser Text existiert [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":1520,"parent":310,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-1496","page","type-page","status-publish","has-post-thumbnail","hentry"],"_links":{"self":[{"href":"https:\/\/karla-sachse.de\/en\/wp-json\/wp\/v2\/pages\/1496","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/karla-sachse.de\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/karla-sachse.de\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/karla-sachse.de\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/karla-sachse.de\/en\/wp-json\/wp\/v2\/comments?post=1496"}],"version-history":[{"count":4,"href":"https:\/\/karla-sachse.de\/en\/wp-json\/wp\/v2\/pages\/1496\/revisions"}],"predecessor-version":[{"id":2318,"href":"https:\/\/karla-sachse.de\/en\/wp-json\/wp\/v2\/pages\/1496\/revisions\/2318"}],"up":[{"embeddable":true,"href":"https:\/\/karla-sachse.de\/en\/wp-json\/wp\/v2\/pages\/310"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/karla-sachse.de\/en\/wp-json\/wp\/v2\/media\/1520"}],"wp:attachment":[{"href":"https:\/\/karla-sachse.de\/en\/wp-json\/wp\/v2\/media?parent=1496"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}