{"id":1409,"date":"2017-06-03T00:03:03","date_gmt":"2017-06-02T22:03:03","guid":{"rendered":"http:\/\/karla-sachse.de\/wordpress\/?page_id=1409"},"modified":"2026-09-24T20:27:41","modified_gmt":"2026-09-24T18:27:41","slug":"texte-fuer","status":"publish","type":"page","link":"https:\/\/karla-sachse.de\/en\/wort-bilder\/texte-fuer\/","title":{"rendered":"Texte f\u00fcr …"},"content":{"rendered":"[:de]\"\"
\nf\u00fcr das Buch zur Korrespondenz und langj\u00e4hrigen Zusammenarbeit mit Guillermo Deisler, Santiago de Chile 2016<\/p>\n

 <\/p>\n

\"\"
\nf\u00fcr Thomas Wernickes Film und Installation Spuren \u00fcber Spuren \u00fcber Spuren\u00a0<\/em><\/p>\n

 <\/p>\n

\"\"
\nfor Hans-Dieter Bartel (my teacher at university), catalogue of his exhibition at the Cultural History Museum<\/span><\/span> Stralsund D 1997<\/p>\n

 <\/p>\n

\"\"
\nf\u00fcr Susanne Ahners Ausstellung in der GrundkreditBank Die Dinge \u00e4ndern sich nicht \u2013
\nniemand h\u00f6rt ihre Geschichten \u2013 <\/em>sie sind nicht zu retten, <\/em>Berlin 1996<\/p>\n

 <\/p>\n

\"\"
\nf\u00fcr einen Katalog von Ingo Arnold, Berlin 1996<\/p>\n

 <\/p>\n

\"\"<\/p>\n

f\u00fcr Guillermo Deislers Mappe Make-UP<\/em>, Halle D 1989[:en]\"\"
\nfor the book about the correspondence and the long-standing collaboration
\nwith Guillermo Deislerr, Santiago de Chile 2016<\/p>\n

 <\/p>\n

\"\"
\nfor Thomas Wernicke’s film and installation Traces over traces over traces,
\nBerlin 2007
\n<\/em><\/p>\n

 <\/p>\n

\"\"
\nfor Hans-Dieter Bartel (my teacher at university), catalogue of his exhibition at the Cultural History Museum<\/span><\/span> Stralsund D 1997<\/p>\n

 <\/p>\n

\"\"
\nfor Susanne Ahner’s exhibition at GrundcreditBank Things do not change \u2013
\nno one hears their stories \u2013 they cannot be rescued <\/em>, Berlin 1996<\/p>\n

 <\/p>\n

\"\"
\nfor a catalogue of Ingo Arnold, Berlin 1996<\/p>\n

 <\/p>\n

\"\"
\nfor Guillermo Deisler’s portfolio Make-Up<\/em>, Halle D 1989[:]\n","protected":false},"excerpt":{"rendered":"

[:de] f\u00fcr das Buch zur Korrespondenz und langj\u00e4hrigen Zusammenarbeit mit Guillermo Deisler, Santiago de Chile 2016   f\u00fcr Thomas Wernickes Film und Installation Spuren \u00fcber Spuren \u00fcber Spuren\u00a0   for Hans-Dieter Bartel (my teacher at university), catalogue of his exhibition at the Cultural History Museum Stralsund D 1997   f\u00fcr Susanne Ahners Ausstellung in der […]<\/p>\n","protected":false},"author":2,"featured_media":2159,"parent":310,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-1409","page","type-page","status-publish","has-post-thumbnail","hentry"],"_links":{"self":[{"href":"https:\/\/karla-sachse.de\/en\/wp-json\/wp\/v2\/pages\/1409","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/karla-sachse.de\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/karla-sachse.de\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/karla-sachse.de\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/karla-sachse.de\/en\/wp-json\/wp\/v2\/comments?post=1409"}],"version-history":[{"count":9,"href":"https:\/\/karla-sachse.de\/en\/wp-json\/wp\/v2\/pages\/1409\/revisions"}],"predecessor-version":[{"id":2321,"href":"https:\/\/karla-sachse.de\/en\/wp-json\/wp\/v2\/pages\/1409\/revisions\/2321"}],"up":[{"embeddable":true,"href":"https:\/\/karla-sachse.de\/en\/wp-json\/wp\/v2\/pages\/310"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/karla-sachse.de\/en\/wp-json\/wp\/v2\/media\/2159"}],"wp:attachment":[{"href":"https:\/\/karla-sachse.de\/en\/wp-json\/wp\/v2\/media?parent=1409"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}