{"id":1348,"date":"2017-06-06T00:06:00","date_gmt":"2017-06-05T22:06:00","guid":{"rendered":"http:\/\/karla-sachse.de\/wordpress\/?page_id=1348"},"modified":"2026-09-24T20:27:18","modified_gmt":"2026-09-24T18:27:18","slug":"lese-bilder","status":"publish","type":"page","link":"https:\/\/karla-sachse.de\/en\/wort-bilder\/lese-bilder\/","title":{"rendered":"Lese-Bilder"},"content":{"rendered":"[:de]\"\"<\/p>\n

Guillermo Deisler hatte Visuelle Poesie aus Chile ins Exil mitgebracht.
\nNach einigen Jahren Korrespondenz mit ihm hatte ich begriffen,
\nwieviel dies auch mit meiner Arbeit zu tun hatte. So riefen wir beide
\nschlie\u00dflich all jene zusammen, die verstreut in unserem kleinen
\nOstdeutschland Text und Bild vereinen gesucht hatten.<\/p>\n

Erste Ausstellung Visueller Poesie im Klub der Kulturschaffenden, Berlin 1988<\/p>\n

zuvor und danach entstanden Bl\u00e4tter zu Anthologien, Portfolios und
\nf\u00fcr die eigene Schublade, von denen hier nur wenige Beispiele gezeigt
\nwerden k\u00f6nnen:<\/p>\n

\"\"<\/p>\n

\"\"<\/p>\n

Untersuchung der Tages-Nachrichten<\/p>\n

\"\" \u00a0 \"\"\u00a0 \"\"<\/p>\n

Postkarten<\/p>\n

 <\/p>\n

\"\"<\/p>\n

f\u00fcr F\u00fcnf Jahre UNIvers(;), Guillermo Deislers Portfolio<\/p>\n

\"\"
\nDokumente der Grenzbeh\u00f6rden zu zwei konfiszierten B\u00fcchlein,
\ndie einem belgischen Freund mitgegeben waren<\/p>\n

\"\"
\nein Kommentar aus Zeiten scharfer Konfrontation<\/p>\n

\"\"<\/p>\n

ein Projekt zur Bemalung der Mauer von der Ostseite kurz nach ihrer \u00d6ffnung \u2013 und das Ergebnis am n\u00e4chsten Tag<\/p>\n

\"\"
\n\"\"<\/p>\n

 <\/p>\n

 <\/p>\n

\"\"<\/p>\n

U-Bahn-Galerie U2, Berlin-Alexanderplatz: Kunst und Literatur f\u00fcr den Frieden<\/em> 1988<\/p>\n

\"\"
\nU-Bahn-Galerie U2, Berlin-Alexanderplatz: Warum gerade ich<\/em> 1994<\/p>\n

\"\"[:en]\"\"<\/p>\n

Guillermo Deisler had brought Visual Poetry from Chile into exile.<\/span>
\nAfter a few years of correspondence with him I had understood<\/span><\/span>
\nhow much this had to do with my own work. So finally we both
\ncalled all those who \u2013 scattered in our small East-Germany \u2013
\nhad seeked to unite text and image.<\/span><\/p>\n

First exhibition of Visual Poetry in the Club of Cultural Workers, Berlin 1988<\/p>\n

before and afterwards are done montages for anthologies, portfolios and
\nfor my own drawer, of which only a few examples can be shown here:<\/p>\n

 <\/p>\n

\"\"<\/p>\n

\"\"<\/p>\n

testing the daily news<\/p>\n

\"\" \u00a0 \"\"\u00a0 \"\"<\/p>\n

post-cards: 1) … the stars come closer \u2013 2) to protest \u2013 custody space \u2013 mangy \u2013 put away \u2013 3) letter<\/p>\n

 <\/p>\n

\"\"
\nfor Five Years UNIvers(;), Guillermo Deisler’s portfolio<\/p>\n

\"\"
\ndocuments of frontier’s control about two confiscate<\/span><\/span>d booklets
\ngiven to a Belgian friend
\n\"\"
\npaper out of the times of confrontation in theearly 80ies<\/p>\n

 <\/p>\n

\"\"
\na project to paint the wall from the Eastern side short after its opening \u2013
\nand the result the next day<\/p>\n

 <\/p>\n

\"\"<\/p>\n

 <\/p>\n

 <\/p>\n

\"\"
\nA GRIT IS A NET OUT OF LINES OR AN AREA
\nOF DOTS THAT CONSTITUTE AN IMAGE …
\nthe truth is: something to want is making
\nan experiment to experience what we can
\nf. nietzsche<\/span><\/span><\/p>\n

 <\/p>\n

\"\"<\/p>\n

Subway Gallery U2, Berlin-Alexanderplatz: Art and Literature 1988<\/p>\n

\"\"
\nSubway Gallery U2, Berlin-Alexanderplatz: Why me especially 1994<\/p>\n

\"\"[:]\n","protected":false},"excerpt":{"rendered":"

[:de] Guillermo Deisler hatte Visuelle Poesie aus Chile ins Exil mitgebracht. Nach einigen Jahren Korrespondenz mit ihm hatte ich begriffen, wieviel dies auch mit meiner Arbeit zu tun hatte. So riefen wir beide schlie\u00dflich all jene zusammen, die verstreut in unserem kleinen Ostdeutschland Text und Bild vereinen gesucht hatten. Erste Ausstellung Visueller Poesie im Klub […]<\/p>\n","protected":false},"author":2,"featured_media":1357,"parent":310,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-1348","page","type-page","status-publish","has-post-thumbnail","hentry"],"_links":{"self":[{"href":"https:\/\/karla-sachse.de\/en\/wp-json\/wp\/v2\/pages\/1348","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/karla-sachse.de\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/karla-sachse.de\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/karla-sachse.de\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/karla-sachse.de\/en\/wp-json\/wp\/v2\/comments?post=1348"}],"version-history":[{"count":25,"href":"https:\/\/karla-sachse.de\/en\/wp-json\/wp\/v2\/pages\/1348\/revisions"}],"predecessor-version":[{"id":2320,"href":"https:\/\/karla-sachse.de\/en\/wp-json\/wp\/v2\/pages\/1348\/revisions\/2320"}],"up":[{"embeddable":true,"href":"https:\/\/karla-sachse.de\/en\/wp-json\/wp\/v2\/pages\/310"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/karla-sachse.de\/en\/wp-json\/wp\/v2\/media\/1357"}],"wp:attachment":[{"href":"https:\/\/karla-sachse.de\/en\/wp-json\/wp\/v2\/media?parent=1348"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}